Exquisitely written and highly entertaining, The
Magdalene Deception is an investigative mystery in a very similar vein to The
DaVinci Code, as a young, ambitious priest from New York starts a dream job
as a Vatican digital archivist. In the
course of his work he finds an ancient artefact which threatens the entire
Catholic Church and sends him on an ominous quest, along with a feisty journalist
investigating the Vatican’s corrupt complicity in the possession of Nazi gold, cruelly
looted and laundered in the Holocaust. It
is a complex book, requiring concentration, with a multi-stranded, woven story and,
with a long cast of characters, from a range of countries, the reader needs to
pay attention; and you should probably lock yourself away without distraction
to read this one.
It is worth it, though. McAvoy (great name!) is a superb author, with
an admirably detailed and profound knowledge of history and Christian theology. Whilst not especially high drama, particularly
for one such as myself – an atheist – it was gripping nonetheless. I have to say that in my particular case, I did
wonder why the idealistic young archivist was so obsessive about pursuing this case,
when he really would be advised to leave well alone, and in fact I personally
found the Nazi gold sub-plot a good deal more enthralling than the primary plotline
– though, of course I can appreciate the huge appeal of the latter. All in all, it is a fine story, and its
threads, when finally brought together, converge tremendously well. I would certainly recommend this book to most
discerning readers, whether fans of religious history or not. There are some intriguing characters, and what
action/drama scenes there are are infused with menace, rather than threat; no
real deadly antagonist seems to be developed, until the final act. This is not really an out and out thriller,
but perhaps more of a cosy mystery – at least until the climax.
The real quality to this book is the author himself
– the writing is superb. There is an outstanding
attention to detail in McAvoy, and the setpieces he weaves are vivid, colourful
and authentic; this author treats his audience as intelligent and attentive,
and this is always hugely beneficial to any writer. As well as being an evidently well-educated historian,
McAvoy also knows his stuff in terms of modern-day information networking and
the technology in present day use alongside ancient practices and customs – as one
of the many who have been fortunate enough to visit the Vatican, I can vouch
that the contrast between the two is visible all around the bordered state.
This is a good book, overall; I enjoyed reading it
very much, and I am sure you will too.