

This is quite an unusual book to read, in that
it is first-half background fact and second-half fictionalization of it, furthermore
delivered in the format of a screenplay.
Justin Stamm makes no secret of the fact that it is his intention to
serialize his television show one episode at a time, presumably as a marketing
strategy to generate buzz and capitalize on his hard work. I don’t know if this plan will work out for
him – I hope it does – but from the reader’s point of view it perhaps does make
for a slightly frustrating experience.
The fact that Stamm is undoubtedly a credible authority in the subject
matter, with an intimate working knowledge of the mafia and its involvement in
the entertainment industry mid-last century, makes for an incredibly enthralling
read and premise; this therefore feels like a multi-pronged approach which doesn’t
really make the best of any of the chosen formats. The first half of the book feels a little concise,
when there is undoubtedly epic potential in any factual book about the inner
workings of the Mob, and it rather seems that the book’s primary objective is for
Justin to present his screenplay; it is best for the reader to be aware of this
– though, fair play to Justin, he is open about it. Still, it doesn’t make it any less disappointing
that I didn’t get to read more about Lansky and Jimmy Alo, which I think I would
have enjoyed. I wonder if Justin can be
persuaded to expand this historical expose a little more; with the likes of Joe
Kennedy and J. Edgar Hoover involved, it surely makes for a fascinating slice
of American history.
As for the screenplay, it seems to be an
entertaining one, though I wonder why Justin chose to serialize it on the page rather
than hold out to get it on the screen – I suppose that is his business and he
has his reasons. It is enjoyable, though
I say that personally as a reader who is experienced in reading plays, whereas
many may not be. I suppose, then, the
biggest question raised by this book is, does a non-fiction/screenplay hybrid
format work? The answer to that, I would
suggest, is yes it does, though as mentioned, I would rather see one or the
other in a much more committed composition, rather than both in part. I would also suggest that Justin has significantly
limited his niche readership by opting for the format. That said, I personally found it an interesting
and enjoyable read which, honestly, left me hoping to read much more – of either
part of the book – and it is definitely worth a look if you like Mob history
and TV.