Within just a few sentences of starting to read it became
clear to me that this is a work of quality from a good, professional
author. The language, grammar and
formatting are all close to perfect and, from the very first line, Alejandro
draws the reader into a vivid and well-crafted tale. The opening chapter is intriguing, horrifying
and gripping, and I have to be honest: I read the whole thing from cover to
cover in a very short space of time. We
are quickly personally enveloped in the principle character’s scenario with
some quality descriptive monologue – almost immediately we are in his mind, and
suffering every moment of his misery as a prisoner in some brutal Persian
regime (think “Prince of Persia”, not Saddam Hussein!).
To some extent the prose is drawn out and lingered upon and,
in fairness, it would have refreshing to take the odd moment of respite from
this in favour of a more creative storyline.
But, then, the point of this tale is not the story itself, which the
author has unfortunately chosen to spread over three books – it serves more as
a showcase for Alejandro’s detailed penmanship, which is undeniably quality.
I don’t want to give too much away by revealing that the
author has chosen to split this book, and this part is only the first, but, be
warned: “Rat Tunnels…” does, in my opinion, appear to break at a point where
the story looks set to get going proper; it also, for a reason which doesn’t
seem clear, changes confusingly into the present tense in the last few
paragraphs. I guess there may be an
element of marketing in Alejandro’s mind here, but, from a reader’s perspective,
personally I would have much preferred to see “Scorpions and Silk” (the saga’s
subheading) novelized as a single book – I imagine it would be a very good one,
and I think this author has a great deal of potential.
This is a great little novella, for what looks like it
will shape into a very entertaining trilogy, and I recommend it highly if you want
to productively kill a couple of hours.
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