

Owen Garratt can write – I mean he is a very good
wordsmith. His language and syntax are top-drawer
for engagement and relatability, his use of words highly articulate. But (and it is quite a big but) he uses far
too many of them; honestly, I felt there was just no need for this book to be
quite as long and detailed as it was. Furthermore,
whilst deeply immersed in the incidental, and events in the moment, I didn’t really
know the overall context.
Now I have to be honest here and adm...
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